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Meeting the Expressive Needs of Junior High Students

Identifieur interne : 000353 ( Main/Exploration ); précédent : 000352; suivant : 000354

Meeting the Expressive Needs of Junior High Students

Auteurs : Marilyn C. Vincent [États-Unis] ; Margaret D. Merrion

Source :

RBID : ISTEX:906BCD0C118C0A781865C15BA510C30E80A60771

English descriptors


Url:
DOI: 10.2307/3397979


Affiliations:


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Le document en format XML

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<term>Accurate pictures</term>
<term>Additional guidelines</term>
<term>Adolescent level</term>
<term>Adolescent psychology</term>
<term>Affective element</term>
<term>Artistic domain</term>
<term>Artistic encounters</term>
<term>Associate dean</term>
<term>Ball state indiana</term>
<term>Benjamin britten</term>
<term>Charles variations</term>
<term>Common sense</term>
<term>Critical listeners</term>
<term>Critical time</term>
<term>Cute girl</term>
<term>Dance music</term>
<term>Divisionof music education</term>
<term>Enrollment card</term>
<term>Experimental channels</term>
<term>Expressive</term>
<term>Expressive channels</term>
<term>Expressive musicians</term>
<term>Expressiveness</term>
<term>General music</term>
<term>General music teacher</term>
<term>Golden opportunities</term>
<term>Good exemplars</term>
<term>Good music</term>
<term>Good teaching</term>
<term>Graduate consults</term>
<term>Growth spurts</term>
<term>Hightouch processes</term>
<term>Historical surveys</term>
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<term>Ideal medium</term>
<term>Initial appeal</term>
<term>Instructional format</term>
<term>Lack understanding</term>
<term>Legitimate style</term>
<term>Long arms</term>
<term>Loudest music</term>
<term>Many teachers</term>
<term>Marilyn vincent margaret merrion</term>
<term>Mediocre classes</term>
<term>Mike oldfield</term>
<term>More enrollees</term>
<term>Music instruction</term>
<term>Music preference differences</term>
<term>Music research</term>
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<term>Musical experiences</term>
<term>Musical integrity</term>
<term>Musical periods</term>
<term>Normal processes</term>
<term>Other hand</term>
<term>Other performances</term>
<term>Pedagogically sound</term>
<term>Peer influence</term>
<term>Peer pressure</term>
<term>Performance possibilities</term>
<term>Performance skills</term>
<term>Performer friends</term>
<term>Photographs courtesy petergridley student</term>
<term>Physical development</term>
<term>Physical phenomena</term>
<term>Piano lessons</term>
<term>Possibilities increase</term>
<term>Relevant encounters</term>
<term>Relevant experience</term>
<term>Relevant music</term>
<term>Same location</term>
<term>Same prof</term>
<term>Sample activities</term>
<term>Sample activities feature</term>
<term>School concerts</term>
<term>Second movement</term>
<term>Secondary schools</term>
<term>Seventh graders</term>
<term>Social pressure</term>
<term>Solid activities</term>
<term>Sophisticated teenagers</term>
<term>Sound familiarteaching strategies</term>
<term>Special place</term>
<term>Specific music vocabulary</term>
<term>Structural integrity</term>
<term>Structural treatments</term>
<term>Successful combination</term>
<term>Successful lesson</term>
<term>Talented performers</term>
<term>Traditional approaches</term>
<term>Traditional processes</term>
<term>Traditional ways</term>
<term>Tubular bells</term>
<term>Undergraduate enrollee</term>
<term>Unique requirements</term>
<term>Young people</term>
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